After etching and aquatint, now is the time to share with you a third printmaking technique I learnt with Hilary Daltry at Heatherley’s: the monotype. Monotype is a printmaking technique which, unlike etching and aquatint, yields only one good impression from each plate before the ink is used up. This makes monotypes inherently unique. A monotype is made by drawing on glass or aContinue reading “Discovering Printmaking – Part 3: Monotype”
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A break from painting: printmaking part 2: aquatint
After sharing my experience with hard ground etching (see my previous post on the traditional line etching technique here), now is the time to share with you my introduction to the Aquatint technique, during my printmaking project with Hilary Daltry at Heatherley’s. Aquatint is a type of etching technique developed at the end of the 18th century that produces a range of tones ratherContinue reading “A break from painting: printmaking part 2: aquatint”
A break from painting: discovering etching
Today I am writing about a very exciting project I had at Heatherley’s: a 3-week introduction to printmaking! Tutored by Hilary Daltry, we began with etching, a traditional printmaking process by which a design is incised onto a metal plate and further bitten into with strong acid or mordant. Images 1 and 2 above show how the design, a self-portrait, is created in intaglio (incised) usingContinue reading “A break from painting: discovering etching”
My first project at Heatherley’s with sculptor Tony Mott
My first three-week project at Heatherley School of Fine Art was surprisingly was focused on sculpture rather than painting!
Mini Drawing Marathon at the Royal Drawing School
Yesterday I attended a mini drawing marathon organised by the Royal Drawing School in London and joined tutors Marcus Cornish and Ishbel Myerscough in two mini workshops. The Drawing Year End of Year Exhibition 2018-19 was also on display