Two female portrait studies, from greyscale to colour

The first portrait I painted under the turtorship of Atul Vohora at Heatherley’s was a black and white study, or rather a study using grey tones, from very dark to very light, mixed out of black and white oil paints. Working in monochrome presented similarities with my previous printmaking project, and allowed me to create aContinue reading “Two female portrait studies, from greyscale to colour”